Michael Gaillard
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    • LANDSCAPE | ATMOSPHERE | FORM, Exploring the formal, spatial, and atmospheric qualities of landscape beyond nostalgic representation. This work serves...

      LANDSCAPE | ATMOSPHERE | FORM

      Exploring the formal, spatial, and atmospheric qualities of landscape beyond nostalgic representation. This work serves as a technical and aesthetic catalyst for the deeper symbolic analyses in the Projects | Examinations section, as well as a library of images from which these explorations may derive.
    • EXERCISES IN ABSTRACTION, Formal and aesthetic experimentation through abstraction in the field is an essential part of Gaillard's practice, offering...

      EXERCISES IN ABSTRACTION

      Formal and aesthetic experimentation through abstraction in the field is an essential part of Gaillard's practice, offering technical and symbolic challenges that, like the landscapes above, play a vital role in developing ideas explored and applied throughout his practice.
  • In Situ: Private Collections and Public Exhibitions
     
     
     

    In Situ: Private Collections and Public Exhibitions

    Michael Gaillard's work can be found on walls around the globe. This section features images of those pieces in situ. Some of these pieces were selected from his portfolios, while others are the result of private commissions, which are increasingly becoming a major part of his practice. One of the distinguishing signatures of Gaillard's work is evidenced in the precise and uncompromising standards to which he holds himself and those on his production team. The resulting works exhibit a level of image-making artisanry coupled with craftsmanship of his mounters and framers  that stands the test of time. To learn more about his production workflow, click here.
    • PROJECTS | EXAMINATIONS, Investigations into perception, artifice, and the constructed image—where landscapes become sites of projection, intervention, and erasure, bearing...

      PROJECTS | EXAMINATIONS

      Investigations into perception, artifice, and the constructed image—where landscapes become sites of projection, intervention, and erasure, bearing the marks of those who shape, sell, and exploit the American narrative, revealing the disconnect between ambition and reality as time and nature exert their own pressure on these fleeting symbols.
    • WHOSE WOODS THESE ARE, 'Whose woods these are I think I know, his house is in the village though, he...

      WHOSE WOODS THESE ARE

      "Whose woods these are I think I know, his house is in the village though, he will not see me stopping here, to watch his woods fill up with snow [...]"
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