WHOSE WOODS THESE ARE
When I first shared the image below with a good friend of mine, she said it reminded her of the Robert Frost poem, Stopping By Woods On a Snowy Evening . I hadn't read it since college, so I returned to it from an entirely new place, with a much deeper understanding of who I was as an artist and how I am in the world. And in diving more deeply into its words, its cadence, its symbolic register, I realized that this poem isn't only resonant with this one image, but describes my role behind the camera and as a sensitive, quiet, and reverential wanderer with a camera. Finding the places where people aren't but have been, and pondering their marks, their absence, and the presence in that absence. These images affect me like the sound of the sweep of easy wind and downy flake and evoke how I feel in the world, and how I imagine Robert Frost felt stopping by woods.
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Whose Woods These Are, 2019 Archival Pigment Print 60 × 192 in (152.4 × 487.7 cm) Edition of 1, 1 Museum Proof1, 1 AP -
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STOPPING BY WOODS ON
A SNOWY EVENING
BY ROBERT FROST
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.
The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
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